Primero teste prático com PINK2 da Acustica Audio [SIMULAÇÕES DA API]

Primeira vista com o ACQUA PINK2, a simulação mais completa dos lendários API

A empresa italiana Acustica-Audio continua levando adiante a bem sucedida série de plugins Acqua, inaugurando suas tecnologias revolucionarias core12 e STT (Super transient technology).

Esta atualização traz muito mais do que apenas uma cara nova: é um verdadeiro salto tecnológico que leva a uma qualidade de som incomparável dentro da série Aqua. O PINK2 é o primeiro do plug-in Acustica baseado no CORE 12, uma atualização significativa que apresenta novos recursos importantes que afetam tanto o desempenho quanto a qualidade sonora.

É notável a diferença de performance, em comparação com a versão anterior, consegui abrir várias instâncias do PINK2 channel strip em uma mixagem típica de rock, com 30 canais. Obviamente tive que congelar algumas trilhas, mas nada que me desse trabalho, mixar com o PINK2 foi bem divertido.

O Pink2 é um pacote de plug-in VST / AAX / AU que é baseado em uma coleção de equipamentos americanos bem conhecidos dos anos 60 que ainda são construídos até hoje e gozam de grande admiração entre engenheiros de todo o mundo. Obviamente estamos falando dos lendários API.

O PINK2 é um pacote composto por 6 plug-ins diferentes:

• PINK2 215 – Módulo pré-amplificador com 8 diferentes modelos de distorção de circuitos
• PINK2 780 – EQ gráfico de 10 bandas
• PINK2 1650 – módulo EQ de 4 bandas com 4 modelos selecionáveis por banda
• PINK2 2412 – Compressor de banda única
• PINK2 7236 – Compressor multibanda
• Channel Strip PINK2 – canal completo com EQ, opções de compressores e pré-amplificadores

Com 5 diferentes modelos de EQ, uma super banda flexível e compressores multibanda e uma coleção de pré-amplificadores (emulações de distorção de circuitos), esta é uma das suítes mais completas oferecidas pela Acustica-Audio.

Pode ser definido como a melhor coleção de plug-ins, concebida e projetada para se tornar parte integrante do seus equipamentos favoritos.

Primeiro teste com o PINK2 [SIMULAÇÕES DA API]

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INFORMAÇÕES TÉCNICAS:

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Pink2 215: Preamp module with 8 different circuit color models
• 1: Classic discrete mic preamp.
• 2: The pass-though color of EQ model B.
• 3: Classic Compressor preamp simulation.
• 4: Modern clone of the classic mic pre modelled in preamp 1.
• 5: Legendary vintage console mic preamp.
• 6: Modern clone of the classic mic amp emulated in preamp 5.
• 7: Mic pre for Model D.
• 8: The pass-though color of EQ Model D.
• Input Trim: from -24dB to 24dB (this function allows for a "one knob" internal gain control by hidden linked input and output gain stages).
• Bypass: on or off.

Pink2 780: 10 band graphic EQ
• 10 Bands at set frequencies: 31Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, 16kHz. Continuous gain from -12dB to 12dB. Proportional bandwidth.
• Input Trim: from -24dB to 24dB.
• Output Gain: from -24dB to 24dB.

Pink2 1650: 4 band EQ module with 4 selectable per band models and modded static Q option for all peak bands.
• Input Trim: from -24dB to 24dB.
• Output Gain: from -24dB to 24dB.
• High-pass and Low-pass Filters: on and off.
• Hardware EQ Preamp Simulation (P): on and off.
• Meters: input, output.

EQ Section A:
• Low Band: from 50Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 5000Hz to 13000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

EQ Section B:
• Low Band: from 30Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 75Hz to 1000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 800Hz to 12500Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 2500Hz to 20000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

EQ Section C:
• Low Band: from 30Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 75Hz to 1000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 800Hz to 12500Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 2500Hz to 20000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

EQ Section D:
• Low Band: from 50Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 5000Hz to 15000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

Pink2 2412: Single band compressor
• Hardware Compressor Preamp Simulation (P): on and off.
• Clipper: on and off.
• Threshold: from -30dB to 18dB.
• Ratio: from 1.5 to infinite.
• Attack: from 0.03ms to 30ms.
• Release: from 0.05sec. to 1.5sec., plus auto-release.
• Knee (KNEE): soft, medium, and hard.
• Input Trim: from -24dB to 24dB
• Makeup Gain: from 0dB to 24dB.
• Compression Types (TYPE): feed-back, feed-forward, and off.
• Adjustable Attack Shape (SHMOD): from 0 to 4 (2 as in hardware). SHMod, an adjustable attack behavior shape control that allows to fine-tune and 'scew' the attack shape.
• Side-chain Curve: from tilt to 300 Hz HPF, plus Pink channel-strip curve.
• Dry/Wet Mix for parallel compression (MIX): from 0 to 100%.
• Meters: Input (IN), output (OUT), gain reduction (GR) and side-chain meter (SC), clipper action and internal level overflow indicators.

Pink2 7236: Multiband compressor
• Hardware Compressor Preamp Simulation (P): on and off.
• Input Gain: from -24dB to 24dB.
• Output Gain: from -24dB to 24dB.
• Clipper: on and off.
• Compression Types (TYPE): feed-back, feed-forward.
• Filter Types (XOVER TYPE): Three cross-over filters derived from a vacuum tube multiband compressor, analog solid-state mutltiband compressor, and "Jolly" home-brew custom type filter, built and sampled especially for this multiband compressor.
• Control Link (C-LINK): enable and disable.
• Band Threshold: from -30dB to 18dB.
• Band Ratio: from 1.5 to infinite.
• Band Attack: from 0.03ms to 30ms.
• Band Release: from 0.05sec. to 1.5sec., plus auto-release.
• Band Knee: soft, medium, and hard.
• Band Makeup: from 0dB to 24dB.
• Band Adjustable Attack Shape (SHMOD): from 0 to 4 (2 as in hardware). SHMod, an adjustable attack behavior shape control that allows to fine-tune and 'scew' the attack shape.
• Band Side-chain Curve: from tilt to 300 Hz HPF, plus Pink channel-strip curve.
• Band Dry/Wet Mix for parallel compression (MIX): from 0 to 100%.
• Meters: Input (IN), output (OUT), gain reduction (GR) and side-chain meter (SC), clipper action and internal level overflow indicators.

Pink2 Channel Strip: full channel strip with EQ, compressors and preamp options
• Input Trim: from -24dB to 24dB
• Output Gain: from -24dB to 24dB
• Hardware Preamp Simulation: for models 1, 2, 3, 4 as listed above and off option.
• High-pass, Low-pass and Band-pass Filters: on and off.
• Insane Mode: on or off. (With it one the compressor delivers better quality minimising any artefacts for the expense of higher CPU consumption.
• Meters: Band input (I), band output (O), and gain reduction meter (GR)

EQ Section A:
• Low Band: from 50Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 400Hz to 5000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 5000Hz to 13000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

EQ Section B:
• Low Band: from 30Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 75Hz to 1000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 800Hz to 12500Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 2500Hz to 20000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

EQ Section C:
• Low Band: from 30Hz to 400Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.
• Low Mid Band: from 75Hz to 1000Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Mid Band: from 800Hz to 12500Hz. Continuous gain from -12dB to 12dB. Peak switchable from proportional to constant bandwidth.
• High Band: from 2500Hz to 20000Hz. Continuous gain from -12dB to 12dB. Switchable between peak and shelving. Peak switchable from proportional to constant bandwidth.

Compressor Section:
• Threshold: from -64dB to 0dB.
• Ratio: from 1.5 to infinite.
• Attack: from 0.03ms to 30ms.
• Release: from 0.05sec. to 1.5sec., plus auto-release.
• Knee (KNEE): soft, medium, and hard.
• Compression Types (TYPE): feed-back, feed-forward, and off.
• Compressor Model Switch: default Pink1 compressor to Pink2 2412 compressor.
• Makeup Gain: from 0dB to 24dB.
• Side-chain Pink channel-strip curve: on or off. This filter cuts the lows and boosts the highs of the S/C signal.
• Dry/Wet Mix for parallel compression (MIX): from 0 to 100%.
• Compressor bypass switch: on or off.

ACUSTICA AUDIO BRASIL: facebook.com/acusticaaudiobrasil

Mais informações: https://www.acustica-audio.com/store/products/pink2

20 Vídeos Tutoriais da Waves em Português!

Jorge Binário

Jorge é musico, compositor, artista, produtor musical, blogueiro, louco por áudio e tecnologia. Fundou o blog SomBinário em 2012 e desde então vem desenvolvendo serviços online direcionados ao ensino de ferramentas de manipulação de áudio, técnicas de mixagem, masterização e serviços de mixagem online para clientes de todo o globo terrestre, sem fronteiras.

Website: https://www.sombinario.com

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